Colours that were more “natural” were introduced to the market and used vegetable dyes rather than harmful coal tar dyes. A bleaching product was painted lightly onto the hair with a narrow brush.Ĭoncerns over the ingredients used in hair colours and links to cancer emerged in the 1970s. The activation time was made quicker by placing a heated double-sided flat iron on the foil packets.įrosting was a technique used to create a natural sun-kissed highlighted look on brown and blonde hair. Highlighting was popular and could be achieved by several techniques, including using a tail comb to weave the hair onto foils – a recently developed hairdressing technique.
Even “salon techniques” like highlighting were possible to attempt at home with kits like Clairol’s Quiet Touch. The use of hair colour had grown over the decades and h ome dyes were big business. Text and patterns were also put into the hair. Even products like Kool-Aid and Kia-Ora were colourants.
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However, punk also brought coloured hair to the streets – and anything went.īright colours were created by using professional products like Crazy Color, a range of neon colours launched in 1977, or everyday items like food colourings.
The most commonly seen hair colours were jet black (like Siouxsie Sioux) or bleached blonde (like Debbie Harry from Blondie). Everyday household products like eggs, sugar water, soap or gelatine (plus shop-bought gels and hairsprays) created the upright structures. Alternatively, wearers went for a full-on skinhead (a revival of a 1950s style), though girls often left their fringe and side sections longer. Some styles mixed long hair with shaved areas, like Mohicans and horns. It was a look created by rebellious youths and emerged in the UK in late 1976.
Whether hair was short, spiked, shaved, or sculpted, the punk look was the opposite of any style classed as ordinary. Punk has its rightful place in 1970s hair history, despite not being followed by the masses.
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